Nico Carlucci
Death "live", the representation of death Live Eluana are desperate. For several months this woman, with her body, was the subject of attention from newspapers and media in general.
The group returned to celebrate, well, the girl's rite that signals through its "disease" and its "youth" as found at the base of society, ancient and modern: the woman and her communication with the world 's beyond.
No male performs this role. It 's the woman, in fact, that with his openness, his body makes the transition from the world of the living dead . It 's so that it is "narrated" in the literature, from' art, music, cinema.
The same attention was given to other cases of women-"terminal" one for all to Terry Schiavo. And what also Chiara Poggi, Meredith beaten on the front pages of newspapers because of their femininity "killed" and the transcendent? The female
penetrated by 'the abyss, humiliated and raised since a ritual orgiastic collective unconscious. Pure flower of a single day, consumed by a violent sun.
back to mind the 'ideal' death 'sung by the sublime poets.
It 's the image of the woman who does not change. And although death is never "nice", she is called to embody with his sacrifice. She alone, sign and symbol of 'holocaust of love. The story of
Eluana maintain, ultimately, the sacrificial structures of a culture, our culture. Hence we understand why his story is a story "home" to which all involved appassionatamete, believers and nonbelievers, television and radio broadcasts, church and state.
The tragedy is that as such is worn down to the utmost, according to his requirement, codified in the Protocol even secular.
After the storm, rests, time, edelweiss in the mountains of Carnia. Eluana, unforgiving violence that made you and me, I hope, have not done.
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